Budgie 2

The last few weeks have seen a few sorry looking seagull fledglings around Plymouth Hoe, heads still fluffy, squatting on the floor as though on their nests.
This one fell from a nest and has taken up residence on the steps of the Conservative Club, just two doors up from us. We were dropping it scraps. Then a lady appeared out of the club with a bowl of water, and we knew the creature has a chance.
She had fostered an earlier seagull, she told us, one with a broken leg, buying it tuna and pilchards. When it grew fit enough to fly it kept returning, of course, eating the scraps from the Conservative plates, growing enormous. Eventually it was run over by a lorry.
That was Budgie. This is Budgie 2. Last night its parents seemed to be swooping around it as its call changed to a mew, but it's there on its own again tonight. Since it is the lady's day off, I've just fed it some chicken stuffing. It gives out a frightening squawk, flaps its wings (surely a good sign), and runs forward to peck away.
Nature of course will do its thing. On Saturday we were walking around Rames Head and saw some magnificent savagery in the skies, a peregrine falcon flying off with its magpie catch, other magpies chattering warnings from the hedgerows. Then a buzzard started flying against the peregrine till the magpie, now dead, was dropped to the field. We thought of the magpies who robbed the blackbird chicks from the nest in our pyrocanthus tree a couple of years ago. What goes around, comes around.

Chasing Haldane to Sennen Cove

Still in gentle pursuit of my biographical subject John Scott Haldane, as the paperback of his life comes due, we took a two day summer break near the rim of Sennen Cove. Haldane brought his family here for their summer holidays a century ago.
I like my chapter on the place, but a research visit would have made it even better. Walking the coastline gave me a true sense of the family's journey out to Longships Lighthouse (above) - while a painting in Penzance's Penlee House Gallery showed me what the lighthouse looked like in Haldane's day.
I hadn't realized the proximity of Sennen Cove to Land's End, and came to know the route Haldane took with his children to run inside Nanjizel Cave. It reminded me of the value of site visits to fuel a biography with all-important details. I like visiting a landscape and trace its features back a hundred years or so. For Haldane I chased his ghost round his homeland, his university, a coal mine where he achieved his initial breakthroughs, and up Pikes Peak in Colorado, but only now am getting round to his holidays.
I wrote of the Haldane family staying with a Mrs Pendar, who ran the Ship Inn. Pendar is still a local name, but I found no sign of the Inn and began to worry for my facts. However asking around, I learned the 17th century Old Success Inn did go by the name of the Ship in the early 20th century. that brought a small phew of satisfaction.
The weather was largely a sweep of winds and rain, so we dipped underground at Geevor Mine to imagine Haldane's work deep inside the tin mines of the region. After a tour of the workshops we were guided down a mine shaft of the 1700s by a former miner ... and again I learned something that would have entered the book. Haldane was an expert on gases and pioneered methods to help workers in the intense heat of the deepest tin mines. What he didn't know, because this gas stayed hidden till recent years, was that the heat stemmed from radon, a gas emitted by decomposing granite. The examiner filled me in on the latest information.
You have to let a book, and a biographical subject, go - but there's always more to learn.

Robert Harris - 'The Ghost'

Philippe Sands is back in front of the US Senate Hearing on Guantanamo today, after his last testimony there was interrupted. His weekend appearance at the Ways with Words festival returned to me last night as I stayed up late to finish Robert Harris's The Ghost.
Jon Snow, Sands's interviewer, felt no political leader would be brought to account for actions deemed to be war crimes. Sands felt differently, that a new administration in the US will bring a flow of information to light and that prominent arrests could happen through 2012 to 2015.
Robert Harris ups the stakes by having an ex-prime minister hounded by the International Criminal Court it what is recognizably now, his figures clearly modelled on Tony and Cherie Blair. It's a very bright, cutting and imaginative take. Behind it all is a cunning analysis of Blair's positioning Britain as an American client state. I'd like to give more away ... but it really is fun to discover the twists and the characters of this book through to its last page.

Ways With Words - Dartington

Diana Athill guided my choice of day to visit the Dartington Ways With Words Festival yesterday. I was pretty sure that this game, intelligent nonagenarian woman would give great value, which she duly did. Some quotes:
Of her childhood, "It was taken for granted that out of doors you rode and indoors you read."
I've long been aware of the dangers of writing to please one's mother, and on this: "I'm glad my mother is dead, because I'm sure she would have found my books deplorable ... I was writing about things one ought to have kept quiet about."
Writing for her, she told us, was initially therapy. She dealt with problems in her life by facing them in this way. When age and wisdom removed such problems she presumed her writing was ended, but then in her book about her editorial years with Andre Deutsch, Stet, she discovered writing for fun.
Of her editing, she sees her job in the same way as I see mine while teaching ... you don't want someone to write the book as you would write it, but to write the best book that they are trying to write. The switch in later life to being edited herself did not cause major problems: "To tell the truth, I've hardly been edited because I turn in a pretty good manuscript." Ian Jack made three suggestions for one book, asking for more at these points, and after some demurring she complied. "What came out as a result was good."
Penelope Lively was her interviewer. Jon Snow took a more proactive turn for his spell in that role, sharing centre stage with the human rights lawyer Phillipe Sands. Three sessions seemed enough for the day so we rounded the visit off with Jonathan Fenby giving an erudite and loaded talk on China. The plan was to have lunch and a walk along the River Dart in the hours in between. But not so, for danger lurked.
The festival attracts a fairly elderly crowd, a lot of walking sticks, and it was fine to be among such advanced engaging minds. Every question from the floor was good. And elderly as they were, I'm the one that came away from the occasion as a physical crock. You'd imagine strolling across a lawn at a literary fete was a safe thing to do.I now know better. Tripping over a tent's outstretched guy rope I fell headfirst and heavy onto a cobbled path. Such was my tumble an ambulance was called. Vision turned to stars, joints to aches, it's all good experience for future fiction I suppose.

Hard-Hat Diving, Stromness

Holidaying in the Orkneys last summer, an article in the local press saw me stepping off Stromness pier weighed down with 100lbs or so of equipment, while a mother and son pumped air to me down a rubber tube. It is, I understand, the one openwater chance in the world (do correct me if I'm wrong) to experience hard hat diving.
What tempted me was the chance to walk in the footsteps of John Scott Haldane. My biography of him, Suffer & Survive, was just coming out. Haldane devised the dive tables which allowed divers to reach depths without experiencing the bends. He plunged overboard in hard hat diving equipment, in Scottish waters, despite being unable to swim. So how was that experience?
My own version was relatively tame by comparison, walking the harbour floor beneath a lifeboat, but adventurous enough - and I'm told I broke some records. I've just posted a full account on the articles page of my website ... please visit and have a read.
A celebration of Haldane's dive tables, and this consequent Centenary of Modern Diving, is taking place at the University of Plymouth, October 31st through November 2nd 2008. I'll be talking on Haldane's life on November 1st. A fascinating programme is lined up ... no web link available as yet, but book the date if you're interested.

Patrick Ness - The Knife of Never Letting Go

Will Patrick Ness's The Knife of Never Letting Go be one of the next mega crossover sellers, a young adult book with an adult readership?
He breaks Evelyn Waugh's golden writing rule ... never kill off your characters because you only ever get one set. But then who knows, throughout the book the arch villain kept emerging from an apparent grave.
He adheres to one of my own golden rules for success ... incorporate a major chase sequence. The whole yarn is in fact a sustained chase.
It's one of those futureworld books that is set in a world that reflects the past. This world is like pioneering midwest America of the late nineteenth century, armies of men and dust and horses. It's not necessarily Earth but any spaceships have crashed and for now are part of the past. A boy and a girl flee the boy's township, along with his talking dog (a great character), in an apparent bid not to succumb to the town's evil. The township of evil men needs the boy to complete itself. The thoughts of men are all audible as NOISE.
It's well done. The endless chase keeps you from wondering what it is actually about, and by the end you realize the chase simply needs to go on through subsequent books. I did feel somewhat cheated of a resolution ... you finish a 400+ page book and you don't really want to know you're merely part way through. It's up there with John Wyndham though (it put me in mind of THE CHRYSALIDS) and The Tales of Alvin Maker by Orson Scott Card, which I enjoyed through its fourth volume where I felt it was running out of steam, running without going anywhere. That's still my question with Todd Hewitt, the kid in The Knife of Never Letting Go (and what a tough title that has been to remember). I was caught up in the fantasy, but wonder if it will lift beyond that and give me a sense of actually getting somewhere.

Sarah Moule - soprano

One of the most impressive opera recitals I've ever encountered was given by a postal worker in the sealed postal waggo on a train trundling between Turin and Milan back in the 1970s. I was invited inside because this particular inamorato took a shine to the two young women I was travelling with. There's a special thrill to opera in confined spaces, so long as the voice is good.
Scottish Opera's Opera Go Round have given me some of my mosr memorable opera evenings, in village halls around Scotland. In London the Handel House runs a sequence of concerts that allows a small audience to gather in Handel's own front room, hearing works where they were first ever tried out before an audience.
Sunday's 'Battle of the Rival Queens' was another memorable event. It was sweetly democratic, the mezzo Lindsay Bramley and the harpsichordist Bridget Cunningham all giving their equal weight to a programme of song, harpsichord and merry tales drawn from documents of the time - so it's a break with that spirit to single out one player. But that's what I'll do.
The soprano Sarah Moule (the soprano and not the London-based jazz singer of the same name) can hardly be noted as my discovery since she already has a second date booked with Lorin Maazel, but this is a bright career that should go far. The voice is warm and delicious, a whole store of effects waiting to be push through occasional words and notes. And in the tough setting of a tiny room with no stage, she acted her rival queen with perky and irresistible relish. I ache to enjoy her Mozart.